Missed Classic: Trinity - Gyre and Gimble in the Wabe

Written by Joe Pranevich

Welcome back! It was a bit slower going than I had hoped to get here, but we got here nonetheless. Last time around, we jumped into Trinity and an exploration of a near-future Kensington Gardens followed by total nuclear annihilation. Fortunately, we escaped just in the nick of time into a magic door in the middle of a pond and now we are somewhere else. What are we doing there? What is the point of the game? I have no idea, but that lack of knowledge is exciting… also potentially depressing, but I’m going to favor “exciting” for now. If you are confused, just read the previous post and you’ll at least be caught up to where I am because getting this far was quite a ride.

This has been a difficult post to write for several reasons. First and foremost, I struggle to get into the right headspace for this game. The themes are heavy but the puzzles are whimsical; it’s discordant and wonderful. But talking about nuclear annihilation, even when couched in a “fun” adventure game, is difficult to do. I have to force myself to play and then I have to force myself to write about it afterwards because this is a place my head does not want to go. I can only imagine how screwed up Mr. Moriarty must have been having been deep in this game for a year or more, at a time when its terrors seemed even more real than they do today. Add to that my own inadequacy in discussing this game, so beautiful and well-written that my ham-fisted prose seems inadequate. I feel like I am penning a Readers Digest edition of Macbeth. All of our contributors have a tendency to fill in the gaps as we describe our games, to describe how they play in our heads as much as on our screens. With Trinity, it is a very different problem of trying to convey a great game through my own experience. I hope I do it justice.

All that said, this is the first game I have played in forever that has given me nightmares. Is that worth a bonus point in our rating system, or not?

The Journeyman Project - Maximum Wave

Written by Reiko

Agent 5 Journal #2: "I've managed to avoid the distortion wave and retrieve the unaffected archive of history. The computer then determined that there were three separate interference events in the past that changed the flow of time. So far, I was able to save Dr. Castillo and destroy a murderous robot, but I've still got a lot of work to do, and it's not going to be easy. I'm going to have to put forth maximum effort to outsmart whoever it is that's caused all this damage!"

To review, I have to prevent three major changes in history: a missile launch toward Gorbastan from a NORAD base in 2112, the destruction of the Morimoto colony on Mars in 2185, and the death of speaker Enrique Castillo at the 2310 rally in Australia. Together, these three changes tipped the balance and prevented the Cyrollans from offering humanity membership in the Symbiotry.

I have no idea at this point how interlinked the solutions to each time period will be, nor how difficult they'll be, so I anticipate having to take a look around each one before I figure out what I need to do. I'll start with the earliest time.

That’s one weird-looking robot...

Gobliins 2 - Gotta Stop (Messin’ About)

By Ilmari

Prince, if you’d just come down, this would be all over

All things come to an end, but some things just don’t know when to end. Last time I had led goblins to a giant beanstalk, which magically transported all the goblins near the village where I started. Unfortunately, prince did not want to come down, because he was hungry. Really? This seems a bit anticlimactic turn of events.

The Journeyman Project - Time Distortion

Written by Reiko

Agent 5 Journal #1: "Today was not a good day to oversleep. If I hadn’t made it to work when I did, we all would have been erased permanently. This is the most major time rip I’ve ever seen, and I’m the only one who was on duty and escaped being rewritten by the distortion wave. I have to fix history!"

When I start Journeyman Project from the menu with the New Game option, I first get a video with voiceover explaining the historical background of the scenario. I summarized this in the introduction. The important thing to remember is that we are at a critical point in history, so of course, when time travel is involved, something is bound to go wrong, and we have to travel through time to fix it. And of course, when there's an elaborate procedure and complicated equipment to fix whatever's gone wrong, then we'll definitely have to use that procedure and that equipment.

After the background, there's an intro video, which starts by zooming out from a floating city, which suddenly explodes. I'm guessing that's a dream, since then we see an alarm clock going off, implying that Agent 5 has just woken up. As he reaches out and puts on his headset, the interface forms around the picture, and a side screen runs through diagnostics as what sounds like a radio program greets its listeners.

Home sweet home

Gobliins 2 - Meatballs of Happiness

By Ilmari

Last time I got the impression I would start this section instantly from the throne room. Alas, my journey from the subterranean sea ended somewhere else.

In the kitchen

Still, throne room wasn’t far away, so let’s move there for a while.

Note the pepper pot, it will become handy later