Alone in the Dark - Kitchen Nightmares

By Andy Panthro

To my right, a suspicious suit of armour, holding a very sharp sword. Ahead, a pair of locked doors that closed as I arrived on this floor. So I choose to go to my left, towards the unknown. This direction leads me to a corridor and some stairs down. This would be a bit more complex and require a bit of exploration before I’d even know where to go and what to do.

The corridor’s first room was a small bedroom, with little of note except a notebook. This was the diary of Jeremy Hartwood’s final days in this house. A troubled artist, he had delved into the darkness that consumes this house and fell foul of its corrupting touch. In a series of dreams, he found stone pillars in a dark desert, a strange man whose look froze him dead with fear, and a sacrificial knife used for human sacrifice.

Missed Classic 57: The Hitchhiker’s Guide to the Galaxy (1984)

Written by Joe Pranevich

Infocom may have been the masters of text adventures, but they aspired to more. They wanted to be “interactive fiction”, to have the recognition that gaming could be an art form on the same level of a good book. To this end, they pursued authors, most notably up to this point Mike Berlyn (Suspended, Infidel, and Cutthroats) and Jim Lawrence (Seastalker). Even Steve Meretzky, Infocom’s jack-of-all-trades was now a published author. But could they have scored a greater prize in 1984 than Douglas Adams, already admired as one of the all-time greats (and all time weirdest) writers of witty and absurd adventures? Mr. Adams had written and performed with Monty Python. He had produced some of the greatest episodes of Doctor Who to date. He had found seemingly overnight success with his Hitchhiker’s Guide series on radio, albums, television, and books. Now he was coming to work with Infocom to adapt his most famous work to gaming. It would be a tremendous challenge, but if they succeeded it could change the face of Infocom and gaming forever… or at least until someone decided to bet the farm on business productivity software.

This week, we’ll tell his story and start the game that he produced. Can Mr. Adams’s style of humor translate to a good game? Is it even possible to make a good game based on a comedy? I am very eager to find out.

Alone in the Dark - Man in the Mirror

Written by Andy Panthro

This is a game that wants to kill the player character, and it begins from the start, even as you’re just getting used to your surroundings and used to the controls and user interface. I try to get my bearings in the attic, this large open space that is not nearly as full of clutter as you might expect. The game uses what are generally referred to as “tank” controls using the arrow keys on the keyboard. Up to move forwards, down to move backwards and the left and right keys to turn slowly in either direction.

King's Quest VI – Knight of the Leaving Dead

Written by TBD

When we left off last time, Alexander had just entered the castle using Beauty's serving maid clothes and had gotten himself captured by attempting to enter the most obvious door.

Now, I played on for a little while and became stuck due to a dead-end that required me to reload to before entering the castle. I did reload, and did some extra exploring, and ended up finding the other way to enter the castle that the Oracle, Laukku and Michael had told me existed.

So let’s ignore my fruitless efforts in the castle for now, and deal with me finding a more circuitous route to the castle.


ISLE OF THE CROWN

When I went back to town to swap my paintbrush for a nightingale (not having a nightingale was the dead-end I found in the castle) I saw a guy I hadn’t seen for quite a while.

You may look like a homeless Santa Claus with a paper boat for a hat, but I've missed you, man.

Game 99: Alone in the Dark (1992) - Introduction

Administrator's note:Due to a lack of time to write about Spellcasting 301 at the moment, we're pausing that game temporarily and getting on with the next game on our list. Over to Andy Panthro...

Written by Andy Panthro

How do we assign a genre, when something is breaking boundaries and creating something which at the time was quite unique? On the other hand, so many elements are previously known, is this evolution or revolution? With Alone in the Dark, we see both a game which moves Adventure into 3D (mostly), as well as being the inspiration for an entirely new category of games, although the originator is often forgotten.

Created by Infogrames in 1992 it borrows heavily from horror novels and films to create a creepy and atmospheric adventure, filled with puzzles, traps and monsters. The game uses both 2D backgrounds with 3D characters, and the CD-ROM version also has a magnificent orchestral soundtrack as well as voice-acting which sounded a lot better to me 25 years ago then it does today, but it was good for the time.