Agent 5 Journal #5: "My work is finally done here. Sinclair is neutralized and the timeline should be back to normal now. He'll be imprisoned, I'm sure, and justice will be done. After all, if I hadn't stopped them, his robots would have killed thousands of people. It's sad that such a brilliant mind turned out to be so unstable."
Last time I finished the third time period and returned to the present to find that all of the temporal rips have been resolved. I exit the time machine and start looking around for what to do next. We've got to stop Sinclair from carrying out his final plan to assassinate the Cyrollan ambassador, but where is he?
Oddly enough, I find that if I go back into the Control Center and check the computer, it still identifies the same discrepancies as before, even though the timeline shows no temporal rips. You'd think that correcting the timeline would make the current history the same as the previously recorded history again.
The objective files make it clear that the source is Sinclair... |
Back I go to my apartment complex. Surely my apartment isn't interesting, and I can't access anyone else's apartment. The only interesting place remaining is the rooftop area, which is still closed for the alien procession. But, hmm. The door has a slot on it. (The transporter seems to have eaten my transporter card this time, so it's no longer in inventory and can't be tried on this slot. It doesn't do anything even if you try it at the beginning of the game, though.)
Sinclair should have shot me here when he had the chance. |
I have something else that can fit into a slot and affect electronics: the access card bomb. I drop it onto the slot and it blinks a few times and then abruptly explodes, destroying the door and punching a large hole through the wall. Through the hole, I can see a man, Sinclair, holding some kind of gun. He turns to look at me and warns me not to interfere. Instead of shooting me immediately, he goes back to lining up his shot, which gives me a moment to act. I pull out my stun gun (having to painstakingly scroll all the way to the bottom of the inventory to get to it) and stun him before he can shoot the ambassador.
Final Score (non-peaceful) |
Winning message: "Congratulations, agent five! You've stopped Dr. Sinclair and assured humanity a place in the Symbiotry of Peaceful Beings! A promotion is surely in the works for you. But a Temporal Protectorate agent's job is never done..."
My final score was 114187, with only one time period considered as having been solved peacefully (Mars). That was after crushing the NORAD robot in the high-pressure room, which is apparently the violent solution. It seems to have done more damage to the robot itself, anyway. I don't know why, but the game seems to think I visited 2310, the rally level, twice. I don't know if there was a glitch somewhere, or if it was because I saved after getting the antidote and reloaded, or what.
Final Score (mostly peaceful) |
So I've finished the game, but I haven't achieved a fully peaceful ending. To do that, unfortunately, I have to replay almost the whole thing again, because I did the time periods in the wrong order. But since I know what I need to do, this doesn't actually take all that long.
I restore back to the point where I've done the comparison with the record disk and am ready to start dealing with the three main time periods. This time I go to Mars first. I make sure to pick up the maintenance key and the wire cutters in the transport, and I quickly dodge the robot, fill the oxygen mask, disarm the access card bomb, and thread my way through the mining maze. I carefully ride the ore crusher and chase the robot down in the extra shuttle, being careful to capture it rather than destroy it.
Last time, the rally level gave me Mercury and the Mars level gave me Poseidon. |
Shorting out the robot with the fire controls. |
Next up is the rally level. I analyze the tranquilizer dart and synthesize the antidote as before. This time, when I face the robot, I use the wire cutters from the Mars level on the padlock for the fire control access cover. I open it and poke at the controls, which I think causes sprinklers or something to come on, again shorting out the robot but without doing as much damage as electrocuting it. I carefully pull all the biochips, including the Retinal one. As before, the memory biochip is updated with the Mercury Objective file.
Collected all objective files. |
Final Score (peaceful) |
Credits with photos |
Credits with names and titles |
Final Maximum Score: 132827
Session Time: 1 hr 15 min (including 45 minutes for final replay)
Total Time: 8 hr 30 min
Deaths: 1 (total: 20)
In the crosshairs of Sinclair's gun |
Next up will be the rating. We'll take a look at what this game did well and what it didn't. For one final opportunity for bonus CAPs, see if you can figure out what band produced the songs whose titles became my post titles for Journeyman Project. (The first one, Time Distortion, was just too perfect for the situation, so I ran with it from there.)
I did not bother getting back into it after last time. Like Goblins 2, I didn't see the point in getting back into a game I'm feeling meh about when I'm going to get to see the ending anyway.
ReplyDeleteYou know, why is your apartment building the location for the alien procession, anyway? Beyond the answer of, because it'd require less modeling.
Yeah, good point. It felt rather lazy in the end.
DeleteI think it's a contrivance, but IIRC, they do set it up a bit in that there's something early in the game you can look at (A poster? A brochure?) that's promoting your apartment building as having the best view in the city
DeleteYeah, I think it's in the advertising display across from the transporter. But the game design doesn't encourage you to poke around and look at things like that (or check out the rooftop level either) because it keeps telling you that you're going to be late to work. In fact, the whole game encourages optimized rather than exploratory play because the scoring mechanic deducts for energy used. More on this in the final rating. ;)
DeleteThe path optimization mechanic is probably also to prolong a game that is really rather short all things considered. The alternate solutions are nice but I am thinking they were added for the same reason.
DeleteDamn that Sir Clive Sinclair - first the exploding digital watch and now murder and terrorism. Is there no end to his villainy?
ReplyDeleteIs what I was thinking throughout this game.
Some would say that keyboards in his computers were already a crime against humanity.
DeleteMaybe Elliot Sinclair is a descendant of Clive Sinclair.
DeleteClive Sinclair - Visionary!
DeleteElectric cars, mobile TVs.
Did some digging (because I love digging) and the band is apparently Two-Mix? I definitely wouldn't have figured that out without looking, but the sound definitely fits the time period and could fit the game with a slightly different vibe.
ReplyDeleteGood work on getting all the way through! I definitely agree that the ending is pretty lazy after everything else. Though part of me does appreciate the real problem existing right where you started without you knowing.
You got it! One of my favorite bands. No actual connection to the game. I just thought the titles fit. :)
Delete