Monday 17 April 2023

Game 134: Gateway II: Homeworld (1993) - Introduction

Written by Reiko
The second game in the Heechee saga, Gateway II: Homeworld is of course the sequel to Frederik Pohl's Gateway, which I played back in 2016-2017. As I mentioned then, Gateway II was one of my favorite childhood games, so I'm very glad we've finally made it here. In fact, I still have the physical game that I've kept all these years. (I'm not sure where the box went, but at least I have the game itself!) It's been six years since I played Gateway, and far longer than that for Gateway II, so I will be rediscovering the game as I play, although I do remember bits and pieces.

The Gateway games are loosely based on the science fiction novel by Frederik Pohl; the main character, Robinette Broadhead, is ostensibly the same in the games, although compared to a game protagonist, the personality is far stronger in the book. The setting is that of a sort of science fiction gold rush to exploit alien technology found in a space station located between the orbits of Mercury and Venus. Built by the Heechee millennia ago, the space station is filled with automated ships with FTL drives set to go random places in the galaxy. Some locations might be interesting, while others might be dangerous, or even deadly.

In the first game, the main character has won a lottery ticket that will take him to the station, where he can then try his luck with the ships, to see if he can find any useful technology to bring back and sell. The first part of the game involves exploring the station, going on some basic missions, finding a few Heechee artifacts, and working our way up to get more lucrative and interesting location codes.
Successfully completing a mission.
The second part of the game is where the stakes are raised, as we have to visit four more worlds on a top-secret mission to save the galaxy. Another alien race that the Heechee just called the Assassins destroy all other civilizations once they reach a certain threshold of technology by sensing artificial radiation using a station called the Watchtower. Presumably we're going to reach that level very soon. Fortunately, the Heechee already built a cloaking device to protect their part of the galaxy, but for some reason they never activated it. That's where we come in.

Each of the four shield generator planets has its own set of puzzles, some of which require objects from the station. The fourth planet also has a notable and friendly NPC: Rolf Becker, who was a prospector lost years ago on his third mission. An optional sub-puzzle is to learn how to be kind to Rolf so that he'll want to come back to the station with you. After we activate all four generators, we learn that there's a fifth piece that must be activated at a location in the same system as the Watchtower. We have to go into enemy territory, basically, and after we get there, we find ourselves caught in a VR trap set up by the Assassin AI. We have to use techniques learned earlier in the game to break the VR programming, escape the trap, defeat the AI, and get the shielding system fully activated.
This guy really grows on you.
Completing all that and saving humanity to boot makes our plucky protagonist one rich Robinette. My official station balance at the end of the first game was over $47 million! Now he can return to Earth and retire a rich man if he likes. But the stage is set for a sequel, because the Watchtower was only an outpost for the Assassins, and one of the Heechee artifacts indicated that the Heechee themselves are still out there somewhere as well. This isn't the end of the story, of course.Now, in Homeworld, we start the game after our triumphant and wealthy return to Earth:
Beginning of opening sequence
July 25, 2112. Outpost Foxtrot Seven, part of NASA's Deep Space Sensor Array, detects an anomaly in the fabric of space. Alarms go off and sleepy crewmen stumble to their duty stations. Scientists study sensor readouts with a sudden sense of urgency. Something is making a faster-than-light transit jump into Earth's solar system. The Artifact is gigantic: it is more than six kilometers long and has a mass in excess of three million tons. The Artifact ignores all attempts at communication and holds position quietly and enigmatically. It seems to be waiting for something...

When news of the Artifact's appearance reaches Earth, the United Nations enters emergency session. The Earth's population watches and waits with growing fear. They could be Heechee, representatives of the benevolent civilization that left humanity a high technology treasure trove when they vanished 500,000 years ago. Or they could be the Heechee's ancient enemies, a deadly race known as the Assassins, who routinely wipe out entire civilizations.

August 15, 2112. San Francisco. While the UN deliberates and the rest of the world races close to the edge of panic, you ignore the hysteria and continue to enjoy your early retirement from the life of a Gateway prospector. The $50 million bonus from your last mission ensured a comfortable existence. You have invested that money well, and you lead a quiet and prosperous life.

You have just returned to your luxury high-rise condo in downtown San Francisco after a vacation in your Hawaii beach house. The last thing on your mind is the discovery of the Artifact...
The end of Gateway mentioned a $25 million bonus...
...but a $50M bonus would have put his total net worth close to $100M!
As is typical for the Legend hybrid text adventure experience, I'll be playing in half-screen mode, hiding the word menus to give more space for text and graphics. In the top left we have some shortcut buttons as well as the compass rose. The top right shows an image of the current location, which is itself somewhat interactive: items can be clicked on to examine them, for instance. The status bar separates the two halves of the screen and lists the current location and time. The rest of the screen shows the recent commands and their results in standard text adventure format.
Starting location: home sweet home!
We get to relax in our luxury penthouse apartment! Looks pretty tiny, actually. I poke around for a few minutes looking at the furnishings and things, and suddenly a call comes through on the TV. We get another infodump almost right away:
The underwater scene on the large screen blinks out and is replaced for a brief moment by the Pacific Data Services logo and the words "PRIORITY OVERRIDE" in flashing red. A female voice says, "Your regional PV carrier, Pacific Data Services, is interrupting your access to the Net for an emergency communication as authorized under FCC regulation 2315-81. Stand by for an important message." Then a new image fades in: a man behind a huge desk, sitting in a majestic office in one of the 300 floor needle towers in New/New York.
With a chill you realize that you have seen this man before. He is a very senior executive at Gateway Enterprises, the largest and most powerful corporation in history. You met him once before, on Gateway station, when you were given the assignment that almost killed you. You were lucky to return from that mission, a dangerous adventure that brought you into contact with an Assassin and earned you a cool $50 million.
The man has a slightly stressed expression on his face. He looks like he has just discovered that there was a mix-up in his dinner reservations. "Hello again," he says in a mild voice. "Long time, no see. This is a one-way, non-interactive communication. The outbound circuits in your PV are apparently not working."
He continues. "I'll cut right to the chase. We would like your help again." You start shaking your head. The man holds up his hands defensively as if he can sense your reaction. "No, no. Don't worry. This doesn't require any FTL travel, activation of planetary cloaking systems, or encounters with the Assassins. This time we just need a little of your time."
That's what they always say...
Umm, from prior knowledge of the game, I'm pretty sure it is in fact going to involve all of those things before we're done. And rather a lot of our time. XD
As you are probably aware, we have been working overtime on the situation created by the appearance of the Artifact. We don't know if it is a Heechee starship, an Assassin battle cruiser, or an asteroid with an FTL power plant. It is too far away to get any kind of visual on it. We suspect that it is a ship, but it is currently completely inert. It has not shown any sign of activity since its emergence from Tau space two and a half weeks ago."

"It might be waiting for us to make the first move. It might be waiting for reinforcements. Or it might not be waiting for anything at all - it could just be a damn piece of rock. Anyway, we have decided to act. The UN has authorized the Corporation to send out one of our experimental pulsedrive scoutships to meet up with the thing. On board the ship will be a designated Ambassador from Earth. The ship is almost ready to go, on a pad at Romeo Delta Two."

"The interesting part is that the Phoenix Sect, a cult of crazy Assassin-worshiping fanatics, has killed our first choice for Ambassador. The Sect believes that the Artifact is an Assassin ship, and they don't want us heathens visiting a vessel crewed by their gods. About eighteen hours ago, a Sect hit squad infiltrated one of our compounds and blew Madam Ambassador (and themselves) into tiny pieces. This is bad news because the mission was ready to go. Luckily, we have an alternate ready, and we want your help in preparing him for his trip."

"We have about a day to brief him for the flight. You need to tell him everything you've learned, everything you know about the Heechee and the Assassins. A few hours with you is probably better preparation than the orientation we gave the first Ambassador anyway."

"I have assumed, perhaps rashly, that you will help, that you can leave right now, and that you will perform this service for free. I know your motivation in helping us with that other... problem was more altruistic than financial anyway, and I think you have more money than you know what to do with. An aircar will be arriving on the roof of your building within a couple of minutes to pick you up. Don't pack - this should only take a few hours. Thank you in advance for your help."
I won't pack - but I will pick up a few useful things from the bedroom.
Before I'm done poking at everything, I'm interrupted again.
The PV console in the living room chimes again. The familiar female voice says, "An individual who wishes to keep his identity confidential is urgently requesting an audio-only collect call. Because your outbound circuits are temporarily down, Pacific Data Services has decided to forward the call."

A throaty whisper comes over the PV speaker. "Please listen very carefully. You are in great danger. A Sect hit squad is on its way to your location. An ECM team has already disabled the outbound circuits of your PV and frozen the building elevators. When the hit squad arrives, they will re-activate the elevators and use them to reach your floor. They have instructions to kill you."

"The only way out for you is via the stairs. You must find a way to keep the elevators down and use the stairs to get to the roof. The hit squad could be there at any minute - you must hurry!"

"Please heed this warning. I am an FBI agent operating undercover in a cell of the Phoenix Sect. I am calling you on my own initiative - my requests to get official approval to warn you were denied. I don't know why. Either you are considered expendable or the Bureau has been penetrated. Anyway, good luck. We all owe you one." The speaker clicks and the female voice says, "Call terminated."
Ramping up the stakes right away! Mystery! Danger!
If we can believe this mysterious voice, it sounds like we need to get out of here right away. How convenient that we already have a ride waiting for us, according to the first call. We just have to get to it.
The stage is set and we're off to the races, as they say.
According to Mobygames, the producers of both Gateway games were Glen R. Dahlgren and Michael Verdu. Michael Lindner was also listed as a producer for the first game but seems only to be credited for things like "Music System Development" and "AdLib Transcription" for this one. Fortunately, Bob Bates of Timequest fame and many others is also still involved with this game for "Additional Design" and "System Architecture" (which mostly means the game engine, surely), along with Duane Beck. The design of this game was split between Verdu and Dahlgren, with Verdu credited for the first half and Dahlgren for the second half. Dahlgren is also credited for music composition, along with Doug Brandon and Eric Heberling. The game only seems to have had one release, for DOS in 1993.

The first game ended up with a final score of 65, not quite top 10 for the blog, but pretty high. Let's see if the sequel can live up to that! So get your score guesses in and join me next time to find out how to survive a hit squad attack, a gas attack, and a rocket launch!

Note Regarding Spoilers and Companion Assist Points: There's a set of rules regarding spoilers and companion assist points. Please read it here before making any comments that could be considered a spoiler in any way. The short of it is that no CAPs will be given for hints or spoilers given in advance of me requiring one. As this is an introduction post, it's an opportunity for readers to bet 10 CAPs (only if they already have them) that I won't be able to solve a puzzle without putting in an official Request for Assistance: remember to use ROT13 for betting. If you get it right, you will be rewarded with X CAPs in return. It's also your chance to predict what the final rating will be for the game. Voters can predict whatever score they want, regardless of whether someone else has already chosen it. All correct (or nearest) votes will go into a draw.

32 comments:

  1. 63

    There's arguably more interesting story in the latter half than in the first game, but overall this one felt more disjointed to me.

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    1. More disjointed than separate missions to half a dozen different planets? That's interesting. I suppose the first game has the Gateway station as the hub for all your activities, while the second one keeps moving around.

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  2. Last year I played through the AGS remake of the first one and loved it, but never got to play the second one. Seems to be a cool sequel, so I'm guessing 60.

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  3. Legend games always sound interesting, and they have a nice interface, but for some reason I can never really make myself play them for very long. That said, this seems like a fine game, so 65.

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  4. It's amusing that in the 90's we thought that in 2112 we all were going to have huge TVs that we already have in 2023. The premise seems interesting, so, sinvce this is a sequel, lets say 2 more points than the original. My guess:;67

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    1. Yeah actually, the level of technology in the game seems about 2030s-2050s level rather than 50-80 years later, but it was published thirty years ago, so now we have a better handle on the tech progression curve.

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  5. I'll shoot high at 70. Maybe they got better, maybe they got worse, but the premise sounds pretty good. Oh and master aliens that wipe out all intelligent life when it reaches a certain level - amusing how it is a MUCH older concept than we tend to think. I never thought Mass Effect was the first to do it but it is interesting to see how far back it actually has been done.

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    1. I'm only
      gonna give
      it a 46.. I hope this Frenchy Canadian can stabd the sauna breeze s.. Go Home Team... 4 to 0... Gonna B A Breeze... I have a season passof Wolf Tickets waiting... No HickBillyHere, Roy Boy, Raymond, Roger Neut... Mary tried...Family Affair,Tax Man Mark K.. Curtains to youWizard... Cheater...Poor Sherry...Game On... I'll hold These Contracts, and Shares... Biotechnika has aomething that belongs to me... Its stolen and i want it back... Hill Towers, Kolasch, Stewart, Members Financial, Lawless... Ect... 11 Mil??

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  6. Ooh. This is far and away my favorite of Legend's text games. I love their style and their UI, but this was the only game from that period where the plot really clicked with me. Not sure how that will map to your scoring system, but I'll go with the very nice guess of 69, because I think that's about the highest number that seems within the bounds of reason.

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    1. Nice. I think it was the last of this style of hybrid text adventures, so the production values are much higher than Timequest, for instance, but you can start to see the shift away from the parser and toward graphical interfaces. I'm sure I'll have more to say about that as we go through it.

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  7. score: 61

    The intro certainly is good, hopefully the game can continue with it.

    Regarding the small apartment... the near $100 million is perhaps not quite as big a prize as maybe it seems, it all depends on the inflation over the years. While it's still probably a huge amount of money by most people's standards, even inflation from 1992 to 2023 would reduce the value of that money by about half (if the online inflation calculator I'm using is correct!). Maybe by 2112, $100 million will be more like $5 million?

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    1. Yeah, that's possible. I did notice in Gateway that the PC seemed to be burning through his money rather quickly, but I mostly chalked that up to the costs of living on an alien space station.

      I'll have more to say about this in the next post, but if anything, there are indications that the rate of inflation has been underestimated for a century in the future.

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  8. Ooh boy... Reiko you're in for a treat. "Gateway II" is even better than the original. So I'll go for a 72 (because I always have a sweet spot for Legend Entertainment games).
    If I am able I could also try to play along, since it's been some years since I played this the last time.

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    1. I love your optimism! I agree, I'm going to have a great time with this one. :)

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  9. I think it's been years since I posted here, and I will give a generous 70.

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  10. This is one of those games that I've always meant to try at some point, (I even have it on this machine ready to play while I type this), but that I somehow never found the time to play. Since everyone is already aiming high with their guesses I guess I'll low-ball it, I always had a spot of trouble with the Legend interface anyway. Not that it's bad, I never got quite the hang of the in-between text and point & click structure. Anyways, my guess is 60.

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    1. And since I now see that Mariano already put down 60, I'll take 59 instead.

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  11. This series is a new one on me, so I won't guess, but looking forward to the playthrough.

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  12. The wise and timeworn sage peers into his crystal ball, and speaks...

    This game's score will be: 57

    Anyone get the reference?

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    1. Hmmmm, not actually played that. Not saying that line isn't in there (or very similar), but what I was referencing was much older (1988).

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    2. Nobody got it, and I don't know either. What were you referencing?

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  13. An official English release of The Portopia Serial Murder Case came out, but as some weird AI experiment without some of the AI: https://automaton-media.com/en/news/20230424-18583/

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    1. It sounds like the typing system is like Facade, except somehow worse. Why is it that everyone pulls out AI as if it's some super impressive thing when content made with it usually just comes off as lazy?

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    2. Because their focus is on the AI as a concept and so everything else is done just enough to publish

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  14. I don't know much about this one, but I'll guess at a slightly pessimistic 54.

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  15. Gobliiins 5 released: https://pierre-gilhodes.itch.io/gobliiins5

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    1. https://adventuregamers.com/news/view/gobliiins-5-a-return-to-classic-2d-adventure

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  16. I finally made it through Grant's Tomb (BloodNet). Hopefully, progress will be swifter from now on. Expect another post soon.

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