Written by Joe Pranevich
A few days ago, I took my first deep dive into Infidel’s hidden pyramid. Powered by a flaming torch and a sense of narcissistic optimism, I discovered a long-buried burial barge, a hidden underground temple containing two chalices, a cube maze with a hidden door, and an Indiana Jones-style weight puzzle to recover four gem clusters. Thus far, after a disappointing start, I am coming to enjoy the game. Mike Berlyn has a good handle on puzzles and has managed to keep the game grounded in a sense of realism. The hieroglyphics have been fun to puzzle through, though a bit inscrutable. More importantly, they have been just understandable enough, with effort, that I could advance through a puzzle or two.
I am reluctant to admit this, but the solution to my “plaster wall” problem was embarrassingly simple: I just had to destroy the wall with my axe. I had avoided this solution in large part because no real archeologist would deliberately destroy priceless artifacts like that, but it appears to be the only way to advance. At least in my mind, I could imagine myself cataloging each of the rooms as I came to them, carefully labeling where I found this treasure or that. But take an ace to a wall? Not really how I’d approach it. It was bad enough that we broke the statue last time, but at least that was an accident...
A few days ago, I took my first deep dive into Infidel’s hidden pyramid. Powered by a flaming torch and a sense of narcissistic optimism, I discovered a long-buried burial barge, a hidden underground temple containing two chalices, a cube maze with a hidden door, and an Indiana Jones-style weight puzzle to recover four gem clusters. Thus far, after a disappointing start, I am coming to enjoy the game. Mike Berlyn has a good handle on puzzles and has managed to keep the game grounded in a sense of realism. The hieroglyphics have been fun to puzzle through, though a bit inscrutable. More importantly, they have been just understandable enough, with effort, that I could advance through a puzzle or two.
I am reluctant to admit this, but the solution to my “plaster wall” problem was embarrassingly simple: I just had to destroy the wall with my axe. I had avoided this solution in large part because no real archeologist would deliberately destroy priceless artifacts like that, but it appears to be the only way to advance. At least in my mind, I could imagine myself cataloging each of the rooms as I came to them, carefully labeling where I found this treasure or that. But take an ace to a wall? Not really how I’d approach it. It was bad enough that we broke the statue last time, but at least that was an accident...